Cast: Mark Wahlberg, Kurt Russell, Gina Rodriguez, Kate
Hudson, and John Malkovich
Director: Peter Berg
107 minutes (12) 2016
Widescreen ratio 2.35:1
Lions Gate blu-ray region B
Rating: 8/10
Review by Steven Hampton
This
disaster movie is based on a true story from 2010 about an oil-rig fire,
regarded as the worst environmental tragedy in American history. Actor turned
director Peter Berg has a chequered career behind the camera that really
started with the stag-night comedy of ensemble farce Very Bad Things (1998). He followed that cult success with the more
populist and under-valued action thriller The
Kingdom (2007), which firmly established Berg as a name to watch. Superhero
parody Hancock (2008), was a feature
all but ruined by the typically dismal Will Smith’s gurning efforts, and sci-fi
adventure Battleship (2012) proved a
bit too derivative of Transformers, Independence Day, and War Of The Worlds to avoid pigeonholing
as brainless popcorn entertainment. Happily though, the gritty war story Lone Survivor (2013) salvaged Berg’s
reputation as a director capable of balancing serious action with heartfelt
drama.
Continuing
his partnership with star Mark Wahlberg as the producer, Berg gathers a top
notch cast of seasoned veterans including Kurt Russell and John Malkovich for
key roles in this biopic. Deepwater
Horizon manages to pull together a vaguely documentarian style, packed with
the sort of technological detailing previously seen in movies like The China Syndrome (1979), and a
grittily realistic sense of heroism reminiscent of cinematic landmarks highly
critical of corporate malfeasance such as The
Towering Inferno (1974). Despite its raft of obvious genre touchstones -
lifeboat queues during the fire-storm are bound to recall Titanic (1997), this is an impressive Hollywood
production with a solidly engaging build-up of suspense before the awesome
pyrotechnical effects of an industrial accident where “hope is not a tactic”
for survival.
Early in
this movie’s terrible day at work, there’s the minor shock of a bird strike on the
big helicopter that flies a shift of replacement crew out to the Deepwater
Horizon oil-rig, and this blatant bad omen is unsubtly echoed by the intrusion
of another avian doom-bringer when a pelican crashes through a window into the
drilling platform’s support ship. These two admittedly curious but not particularly
strange incidents are forgivable as film-making elements of narrative foreshadowing
and cultural symbolism. They both fit perfectly into an evocative action drama
about mankind’s hubris when faced with geological forces that prove fatal when
underestimated. The movie’s sudden descent into a metaphorical hell of shouting
and panic is superbly orchestrated, as the rig’s crew are trapped in nightmarish
mayhem lit only by fire. The crisis could have done without its praying scene,
but that’s a peculiarly American affectation which, perhaps unintentionally,
indicates that many of the social problems in the USA are rooted in the big wishes of traditional
beliefs not the wisdom of modern practical rationality.
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