Cast: Liam Neeson, Laura Dern, and Emmy Rossum
Director: Hans Petter Moland
118 minutes (15) 2019
Studio Canal 4K Ultra HD
[Released 24th June]
Rating: 8/10
Review by Steven Hampton
Revenge thriller Cold
Pursuit is the US remake of a Norwegian movie, In Order Of Disappearance (aka: Kraftidioten,
2014), by the same director, Hans Petter Moland. This story is set, mostly, in
the frozen ski-resort of Kehoe in the Rocky Mountains, where the town’s
citizen-of-year award goes to snow-plough driver Nels Coxman (Liam Neeson). Amusingly,
Stellan Skarsgard played Nils Dickman in the original, and rude jokes about his
last name are seemingly inevitable. Nels is happily married to Grace (Laura
Dern) until their son Kyle is killed by a gangster. Soon, Nels becomes a serial
killer, bumping off anyone linked to a drug-smuggling cartel. With a distinctly
tongue-in-cheek formula to this movie’s episodic vigilantism, much black comedy
ensues during the campaign of violent slaughter. William Forsythe is very good
as Nels’ stoic brother Brock.
The villains have nicknames like Speedo, Limbo, and
Santa. Their comically vegan boss is known as Viking. An odd mix of natives in
a rival gang only results in the recycling of an old joke about indians needing
a ‘reservation’ at a hotel. These quirky characters and more are often seen isolated
against magnificent wintry landscapes, adding tremendously visual appeal to
events, including the chaotic finale’s all-guns-blazing shoot-out. Unlike a
predominantly male cast in the original Kraftidioten,
this superior US remake has Emmy Rossum, outstanding as local cop Kim Dash,
investigating the spate of disappearances, and the mobster’s ex-wife also proves to be a
formidable protagonist, quite unsympathetic to his routine mistakes or his
crooked empire’s collapse, and wholly intolerant of any nonsense from an
utterly selfish man who's troubled by emotional detachment from society or family-related reality.
“I thought you were a kidnapper.”
“Not all the time.”
Unlike the Taken
movies, Neeson’s character has no special skill-set, he’s just a bereaved
father who wants to know the grisly truth about his son’s murder. Full of a suicidal
anger, he soon turns nasty against callous villains that poisoned his innocent
son. A stony-faced approach to jokes means that deadpan humour is effective far
beyond the outright gags of similarly-themed movies, whether they are obviously
Tarantino-styled, or not. This extends to the character of a hit-man, nicknamed
the Eskimo (played without irony by a black actor). In the action that prompts
a gang-war between rivals that destroys a whole regional cartel, many ingeniously
written scenes, even when cast with genre stereotypes, still acknowledge how a poetic
use of confused realism can be surprising and fascinating.
This remake is only slightly longer than the original
movie, but its humour is notably a bit sharper, and blessed with enhanced
jokes, so there’s a sense that every new opportunity was taken to refine the
original’s screenplay in a translation with fresher lines, and more nuanced
characters, especially the feminist ones. Looking superb in this 4K UHD
edition, Cold Pursuit should, and
deserves to, reach a wider audience than Kraftidioten
did, and that’s a very good thing for this type of entertaining crime movie.
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