Cast: Sam Elliott, Katherine Ross, and Roger
Daltrey
Director: Richard Marquand
100 minutes (18) 1978
100 minutes (18) 1978
Powerhouse (Indicator)
Blu-ray region B
[Released 29th July]
Rating: 5/10
Review by Emily Webb
Better
known for featuring Sam Elliott’s bare bottom than for its cinematic quality, The Legacy was an adequate attempt at modern
horror, after The Exorcist (1973),
and The Omen (1976). Written by Jimmy
Sangster, a veteran of Hammer films, The
Legacy should have been better. Real-life couple Sam Elliott (Hulk) and Katharine Ross (The Stepford Wives) play architects Pete
Danner and Maggie Walsh, who travel to the UK on an assignment (and starring in
this film together led to the stars’ eventual marriage). When they have a
motorbike crash in the country, they are taken in by Jason Mountolive, a
mysterious millionaire, to a lavish country manor to recuperate. The mystery
deepens when it turns out that the other guests at the manor have been
expecting them...
A
mystery horror, The Legacy starts
with promise - a stately mansion, house-guests, and a mysterious reason for them
all being present - but, sadly, it degenerates. It is a bizarre ‘old school’
British horror that features an ex-Nazi, a spooky nurse, and a mysterious and
evil master of the house who turns out to be evil. Richard Marquand made his
feature film debut with this, and went on to direct Star Wars: The Return Of The Jedi (1983), only to die shortly after
its release.
Predictably,
the house-guests are picked off one by one and it becomes clear that Maggie is
wanted by the villain to fulfil a diabolic legacy. This film is also known as The Legacy Of Maggie Walsh (in its edited
TV version), which gives a fairly big clue as to who survives the carnage at
the English manor. Satisfyingly, an appalling Roger Daltrey dies when he chokes
during a meal and fails to survive a gruesome tracheotomy. Elliott is
particularly good looking (I love that moustache), and his nude shower scene is
a highlight of the film, albeit unnecessary. The title song, Another Side Of Me, is performed by Kiki
Dee and gives the film a suitably cheesy feel.
Overall,
The Legacy is a disappointing film
but there is enough to sustain viewer interest through the plot and atmosphere.
There are a few action-packed scenes, including one where Maggie and Peter
attempt to escape the estate on horseback, and this allows Elliott to do what
he does best: be a brawling, manly, cowboy-type of guy. The music accompanying
the action is reminiscent of a Charlie’s
Angels episode.
Extras:
- Re-mastered in HD for limited edition Blu-ray
- Between The Hammer And The Anvil (1973) - Marquand’s acclaimed documentary short film, made for the Central Office of Information, about the Liverpool police force
- Limited edition exclusive booklet with a new essay by Julian Upton, an overview of contemporary critical responses, archival articles, and film credits
- Image gallery
- Trailers
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