Cast: John Baragrey, Mala Powers, and Otto Kruger
Director: Eugene Lourie
70 minutes (PG) 1958
101 Films Blu-ray region B
Rating: 6/10
Review by Christopher Geary
Creaky B&W sci-fi rarely looks good 60 years later
but some, like this, are ripe for critical re-evaluation. Clunky old robot
movie The Colossus Of New York is actually all about a cyborg, a huge mechanical
walking support created by a family of scientists to house the salvaged brain
of their dead genius, Jeremy (Ross Martin). Part Frankenstein’s monster, part
superhero movie like Tobor The Great
(1954), its post-human morality themes of immortality via cybernetics eagerly anticipate
such modern classics as RoboCop
(1987, remade very well 2014).
Lacking many conventional human senses, robo-Jerry gains
ESP, while he’s working on a solution to the problems of world hunger. It’s no
wonder that he stumbles on his fraught widow Anne’s growing attachment to his
brother Henry. Stomping about in a jealous rage with blazing electric eyes,
robo-Jerry becomes homicidal for a new genocidal campaign of inhumanity that
echoes traits of wartime fascism. Only the cyber-giant’s relationship with
Jeremy’s young son Billy offers much hope for survival in this routinely melodramatic
tale of ‘hubris clobbered by nemesis’.
Some charming design elements and lighting set-ups for pivotal
scenes grant this overtly tragic story many of the best gothic style visuals
found in any sci-fi productions of its era, and the minimalist piano score deserves
attention for a subtle evocation of silent movies. This movie’s dramatic
finale, with a violent rampage in the UN building, where an antiwar inscription
on a wall delivers a backdrop message of peace for all mankind, ably supports a
still positively compelling techno cult fable about disarmament.
Restored to superb hi-def quality, this Blu-ray release
is another splendid offering by the reliable 101 Films label. The disc’s bonus material
is an expert commentary track.
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