Friday, 19 February 2021

Two Weeks To Live

Cast: Maisie Williams, Sian Clifford, and Mawaan Rizwan

Director: Al Campbell

146 minutes (15) 2020

Acorn DVD

Rating: 7/10

Review by Christopher Geary

“Did you lie to me... about the end of the world?” With a list of things to do, Kim Noakes (Maisie Williams, Game Of Thrones, The New Mutants) leaves home in Scotland to visit a gangster named Jimmy (Sean Pertwee, Gotham), who murdered her father. Although she is immature, Kim is not a typical runaway girl, as dangerous Jimmy soon learns when she arrives to kill him. Pursued by two bickering brothers that she met in a pub, highly skilled but innocent Kim plans for the atomic apocalypse following a cruel prank. Her hard-boiled and paranoid mum Tina (Sian Clifford), attempts a rescue but only succeeds in making a terrible situation worse. “Gloves and a gun if you want to have fun.” Meanwhile, crooked cop, Brooks (Jason Flemyng, Pennyworth), is on the trail of a bagful of stolen cash.


This TV drama series is largely a black comedy that offers a parody of survivalism, and is seemingly inspired by Joe Wright’s Hanna (2011). Rattling along from the start, it keeps up a brisk pace while some telling flashbacks provide necessary exposition. Kim’s group is on a journey to the south coast, where she enjoys fairground rides and plans to scatter her dad’s ashes down at the seaside. Perhaps inevitably, its humorous action builds up to a car chase and a shoot-out, ending with revelations of deception and greed, followed by a suitably ironic tragedy and sudden death. 


Two Weeks To Live flits between amusing banter and poignant moments of essentially British culture. Fairy-tale allusions, concerning shock discoveries of outside-world reality, add layers of mystery-genre appeal to a basic road-movie adventure, with crime-thriller aspects. Although half of the supporting cast lapse into TV rom-com clichés, Williams has authentic star qualities and Clifford gives an outstanding performance. Perhaps the moral of this storyline is that any uninitiated protagonist should always make reckless decisions from a position of safety?