Cast: Charlotte Vega, Bill Milner, and David
Bradley
Director: Brian O’Malley
90 minutes (15) 2017
Thunderbird DVD Region 2
[Released 25th June]
Rating: 7/10
Review by Christopher Geary
Brother and sister, Edward and Rachel are cursed twins
stuck together in an old haunted house in rural 1920s Ireland. Troubled by
debts, the rundown estate appears in jeopardy from sinister forces clearly that
are far greater than house-keeping money problems, and there is something of an unholy
evil lurking beneath a trapdoor in the hall.
The Lodgers is a ghost story based on wholly traditional themes,
such as Poe’s absurdly morbid Fall Of The
House Of Usher, but it’s also a movie that’s infused creatively with
decidedly modern imagery, including nudity with some hints of incest, mixed
together with excellent visual effects. These occasionally graphic sequences complement the
production’s lavish or creepy cinematography, which owes quite a lot to genre
iconography of The Grudge franchise.
Much like The
Others (2001), this eerie but compelling romantic mystery unfolds slowly to
reveal its dark secrets that include a remorseless family curse of suicidal
drowning. A concerned but intrusive, and somewhat predatory, Mr Bermingham (a great
cameo from David Bradley, of TV vampire series The Strain), is obviously doomed.
Elsewhere, after he is branded as
a traitor by local villagers, crippled war veteran Sean (Eugene Simon), pursues
Rachel, but soon becomes involved much deeper in her situation than he wanted
or expected to. Packed with telling details, characteristic nuances, and mortal
perils, The Lodgers doles out a
sumptuous compendium of murmuring anxiety and bloodless frights.
Of course, this all ends with coldly irrational passions
and watery supernatural violence. Irish location shooting in Wexford (where the
haunted Loftus Hall mansion is claimed to be 666 years old!), benefits from set-pieces
of dramatic irony, and ensures this movie is very welcome and worthwhile
viewing for any fans of strange and shadowy cinema. The Lodgers presents the right kind of stylish blending of ethereal
beauty and gritty realism, and the winning combination grants this chilling
fable of immortality, between the wars, all the striking atmosphere and grimly
fatal charm of the very best modern fairy-tales.
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