Tuesday 5 May 2020

Bacurau

Cast: Sonia Braga, Udo Kier, and Barbara Colen

Directors: Juliano Dornelles and Kleber Mendonca Filho

131 minutes (18) 2019
MUBI Blu-ray region B

Rating: 7/10 
Review by Donald Morefield

Approaching a quiet village in near-future Brazil, a tanker lorry drives over empty coffins accidentally strewn along the road. The vehicle brings essential water to Bacurau, where a failure of the piped supply has alarmed the villagers. Returning home, Teresa (Barbara Colen) arrives in Bacurau for the funeral of respected Carmelita. A celebratory procession for the deceased matriarch ends with startling burial in a watery grave. Next day, mayor Tony Jr appears to campaign for re-election but, at first, nobody turns out to see or hear him as complaints fester in response to his sleazy corruption. Dr Domingas (Sonia Braga) confronts him about the kidnapping of a young woman.


Later, a UFO style drone tracks local delivery biker. Horses escape from the nearby farm and introduce further mystery to rapidly expanding scenarios about predatory capitalism. With improv singing, the local guitarist insults spying visitors. Michael (Udo Kier) heads a group of assorted outsiders plotting a secret man-hunting mission against villagers. They are sporty, but so unsporting in their approach to criminal assaults, it’s a crowd-pleasing twist when the inhabitants of Bacurau rise up to defend their territory.   


Jury Prize-winner at last year’s Cannes festival Bacurau (Portuguese for ‘nighthawk’), a prime example of foreign-language sci-fi, is rarely good at portrayals of quirky futurism, but due to socio-political differences and cultural perspectives, this sometimes generates a compellingly weird sense of otherness via surrealistic tendencies and several very odd, or offbeat, directorial choices and winningly quasi-satirical narrative. 


Here, world cinema embraces weird western themes explored in a mix of Portuguese and English dialogue by sundry characters often intended to be upended stereotypes. ‘Trigger King’ Pacote is the village’s favourite video-star outlaw. For the movie’s action-packed climax, local bandit Lunga (Silvero Pereira) returns to help the village with defence against gringo mercenaries.


After a child is murdered, violence ramps up, into a siege with machine guns and satellite surveillance. The eclectic score includes synth music ‘Night’ by John Carpenter. This curio blends generic elements of commercial Hollywood pictures with wittily subversive political critiques of Brazilian history. Despite its desert setting, any fans of swampy movies like Walter Hill’s Southern Comfort (1981), and John Woo’s Hard Target (1993), should enjoy this unique central inversion displaying cowboys ‘n’ indians parodies as dystopian motifs.